Mar 12, 2019
You Are Here: An Interview with Eduardo Portillo
Sheila Scoville
“When I built my first stretcher, it was like finding a big surprise. It let me reinforce what I had been doing with painting, which was playing around with points of tension, ideas about the canvas as a fabric, as something I could manipulate and explore different possibilities with, not just within the gallery but also with the rectangle. Painting didn’t have to be just rectangular—I really wanted to challenge that.”